Apichatpong Weerasethakul: Phantoms of Nabua

Born in born in Bangkok in 1970, Apichatpong won the Palme d'Or at Cannes in 2010 for his film Uncle Boonmee Who Can Recall his Past Lives. His 2004 film, Tropical Malady, won the Jury prize, while 2002's Blissfully Yours won the top gong in the Un Certain Regard sidebar Photograph: PR Photograph: guardian.co.uk His video installations and other works have attracted acclaim, too, as did the installation Primitive when it was presented in Munich, Liverpool and Paris last year Photograph: PR Photograph: guardian.co.uk Apichatpong describes the exhibition, titled Phantoms of Nabua, as 'a portrait of home … a communication of lights, the lights that exude on the one hand the comfort of home and, on the other, of destruction' Photograph: Chaisiri Jiwarangsan © Kick the Machine Films, image courtesy of Animate Projects Photograph: guardian.co.uk In the stills, teenagers play football at night illuminated by a rear projection of lightning and fireworks and a recreation of a fluorescent light pole from the artist's hometown Photograph: Chaisiri Jiwarangsan © Kick the Machine Films, image courtesy of Animate Projects Photograph: guardian.co.uk These lights convey the impression of ghostliness, but, for Weerasethakul, they also conjure up a feeling of homeliness Photograph: Chaisiri Jiwarangsan © Kick the Machine Films, image courtesy of Animate Projects Photograph: guardian.co.uk Nabua looks to be a sleepy village, a place of football and fun, but the atmosphere masks a history of violent clashes Photograph: Chaisiri Jiwarangsan © Kick the Machine Films, image courtesy of Animate Projects Photograph: guardian.co.uk From the 1960s to the 1980s the totalitarian government militia occupied this part of Thailand in order to curb communist insurgents Photograph: Chaisiri Jiwarangsan © Kick the Machine Films, image courtesy of Animate Projects Photograph: guardian.co.uk Shooting these teenage descendents of the Thai rebel-farmers is Weerasethakul's reflection on catastrophic political events. The flames and the drama of twilight football take on a new danger when seen in this light Photograph: Chaisiri Jiwarangsan © Kick the Machine Films, image courtesy of Animate Projects Photograph: guardian.co.uk There's something both primal and threatening about the images, the uncertain motives of the people involved, and the barely-controlled infernos Photograph: Chaisiri Jiwarangsan © Kick the Machine Films, image courtesy of Animate Projects Photograph: guardian.co.uk Primitive is a multi-platform project that includes Weerasethakul's seven screen installation, an artist's book, a short film and a feature film. It runs at the BFI Southbank until 3 July Photograph: PR Photograph: guardian.co.uk