Theo van Doesburg comes to Tate Modern

Composition IX, Opus 18: 'Decomposition' of The Card Players (1917) Photograph: Gemeentemuseum Den Haag Photograph: guardian.co.uk Stained-Glass Composition IX. For housing blocks I and V in the Spangen district, Rotterdam (1918–19) Photograph: Stedelijk Museum De Lakenhal Photograph: guardian.co.uk Portrait of Petro (c1922). Petro was a pseudonym of the artist Nelly van Doesburg, Van Doesburg's wife Photograph: Stedelijk Museum De Lakenhal Photograph: guardian.co.uk Poster for Small Dada Soiree (for a dada tour of the Netherlands, 10 January–14 February 1923) Photograph: Centraal Museum, Utrecht Photograph: guardian.co.uk Poster design for The Little Review (1925) Photograph: Kröller-Müller Museum, Otterlo Photograph: guardian.co.uk Counter-Composition XV (1925) Photograph: Muzeum Sztuki Photograph: guardian.co.uk Van Doesburg (right) and fellow artist Cornelis van Eesteren work on the model of the Maison Particulière. Paris, 1923 Photograph: Netherlands Institute for Art History (RKD) Photograph: guardian.co.uk Photograph of IK Bonset by Nelly van Doesburg (c1927) Photograph: Netherlands Institute for Art History (RKD), The Hague Photograph: guardian.co.uk Simultaneous Counter-Composition (1929–30) Photograph: Museum of Modern Art, New York. The Sidney and Harriet Janis Collection, 1967 Photograph: guardian.co.uk Armchair (1930) Photograph: Stedelijk Museum De Lakenhal Photograph: guardian.co.uk