From Beirut to Biafra: Don McCullin's war photographs go on show

Don McCullin stands in front of one of his photographs at Manchester's Imperial War Museum Photograph: Dave Thompson/PA Photograph: Dave Thompson/guardian.co.uk Hue, Vietnam, February 1968: A US marine suffering severe shell shock waits to be evacuated from the battle zone Photograph: Don McCullin Photograph: Don McCullin/guardian.co.uk Hue, Vietnam, February 1968: A US soldier hurls a grenade. Moments later he was shot through the hand by a north Vietnamese sniper Photograph: Don McCullin Photograph: Don McCullin/guardian.co.uk Biafra, 1969: A starving albino boy, harassed and discriminated against for the colour of his skin, clutches an empty corned-beef tin at an orphanage Photograph: Don McCullin Photograph: Don McCullin/guardian.co.uk Cyprus, 1964: A grieving woman and her family Photograph: Don McCullin Photograph: Don McCullin/guardian.co.uk Beirut, Lebanon, 1976: Phalangists stand over the body of a Palestinian girl. (Don McCullin stayed to take this photograph despite being ordered to leave the area by the gunmen) Photograph: Don McCullin Photograph: Don McCullin/guardian.co.uk Don McCullin's damaged Nikon F camera, hit by a bullet from an AK-47 in Cambodia Photograph: Richard Ash/Courtesy of Don McCullin Photograph: Richard Ash/guardian.co.uk An annotated fabric-covered US army-issue helmet, used by Don McCullin, from 1968 Photograph: Richard Ash/Courtesy of Don McCullin Photograph: Richard Ash/guardian.co.uk Don McCullin's NUJ press card from 1975, the year he was barred from Vietnam after being classified as undesirable following his 1972 coverage of the South Vietnamese army retreat Photograph: Courtesy of Don McCullin Photograph: guardian.co.uk Don McCullin stands next to one of his images at the Imperial War Museum North in Manchester. The exhibition is the UK's largest-ever collection of McCullin's work, and includes his most iconic war images, contemporary landscapes and personal perspectives on more recent events Photograph: Christopher Furlong/Getty Images Photograph: Christopher Furlong/guardian.co.uk