School's out: the Catlin Art prize 2010

Hutber's video installation, entitled Stay Behind the Line, impressed the judging panel with its political reference to prisons in Iraq and Afghanistan Photograph: Justin Green/Courtesy Reynir Hutber/Art Catlin Photograph: Justin Green/guardian.co.uk A visitor watches Hutber's video. Judge Ben Lewis said the work turns 'the viewer into the perpetrator' Photograph: Justin Green/Courtesy Reynir Hutber/Art Catlin Photograph: Justin Green/guardian.co.uk BodyCash, by Miyo Yoshida, consists of resin casts of parts of her body with black market price tags attached. These were inspired by her research into international organ trafficking Photograph: Justin Green/Courtesy of Miyo Yoshida/Art Catlin Photograph: Justin Green/guardian.co.uk The Thief by David A Smith, whose sculptures earned him a special mention from the judges for the beauty of their strong, minimalist forms Photograph: Justin Green/Courtesy of David A Smith/Art Catlin Photograph: Justin Green/guardian.co.uk The Second Law by Sonny Vadgama, a striking immersive work revolving around ideas of social entropy and the thermal entropy of the heat in runners' bodies Photograph: Justin Green/Courtesy of Sonny Sanjay Vadgama/Art Catlin Photograph: Justin Green/guardian.co.uk The Glade by Adam Dix, whose 'beautifully wrought' paintings explore the connection between communication technology and our desire to communicate Photograph: Justin Green/Courtesy of Adam Dix/Art Catlin Photograph: Justin Green/guardian.co.uk Biscuit and Stretcher by Alexander Allan, whose works were a close contender for the winning spot, say the judges. His rugged sculptures made of unfired bricks were praised for their evocation of the death of industry Photograph: Justin Green/Courtesy of Alexander Allan/Art Catlin Photograph: Justin Green/guardian.co.uk Ladies in Waiting, by Viki Matkin, are eerie sculptures made of petrified canvas that evoke femininity, and meditate on themes of veiling and concealment Photograph: Justin Green/Courtesy of Victoria Matkin/Art Catlin Photograph: Justin Green/guardian.co.uk Vanitas by Alex Virgi, whose small, brightly coloured abstract canvases take the tradition of portraiture as their point of departure Photograph: Justin Green/Courtesy of Alex Virgi/Art Catlin Photograph: Justin Green/guardian.co.uk