Baftas 2010: the winners

For some, so rapid was the ceremony they barely had time to take their coat off. Here's Andrea Arnold and Nick Laws with their awards for outstanding British film, Fish Tank Photograph: Toby Melville/Reuters Photograph: Toby Melville/guardian.co.uk British acting talent did especially well on the night. For this is not the little German lad with the dead budgie from The White Ribbon, but Carey Mulligan of An Education with her best actress award Photograph: David Fisher/ Rex Features Photograph: guardian.co.uk And here's Colin Firth, winner of the best actor award for A Single Man. Firth's back-up plan in the event of a loss was to biro his skin blue in an effort to impress James Cameron. You can see where he's begun on his hand Photograph: David Fisher/ Rex Features Photograph: guardian.co.uk Another Brit: Duncan Jones, director of Moon, and winner of the award for outstanding debut by a British writer, director or producer. So, you have to be British to win that one. Still, no need to be quite so abashed Photograph: Ben Stansall/AFP/Getty Images Photograph: Ben Stansall/guardian.co.uk Other nationalities can get jealous. First Terry Gilliam bestows the award for outstanding contribution to British cinema to technician Joe Dunton, then attempts to karate chop it from his hands Photograph: Dave Hogan/Getty Images Photograph: Dave Hogan/guardian.co.uk Fab hair, ace makeup … the least you'd expect from Jenny Shircore, winner of best makeup and hair for The Young Victoria Photograph: Dave Hogan/Getty Images Photograph: Dave Hogan/guardian.co.uk A costume designer? Who'd have thunk it? Sandy Powell picks up another award for The Young Victoria Photograph: Ian West/PA Photograph: Ian West/guardian.co.uk Mother of Many, winner of one: Emma Lazenby with her award for best short animation Photograph: Toby Melville/Reuters Photograph: Toby Melville/guardian.co.uk James Bolton and Martina Amati, winners of the best short film award for I Do Air, looking absolutely thrilled to get so close to James Corden Photograph: Dave Hogan/Getty Images Photograph: Dave Hogan/guardian.co.uk But it wasn't all about the Brits. Mo'Nique won best supporting actress for her role in Precious. This isn't her; it's the director of Precious, Lee Daniels, collecting it on her behalf. That happens, sometimes. Yet Matt Dillon is still confused Photograph: Dave Hogan/Getty Images Photograph: Dave Hogan/guardian.co.uk Say what? He's a Nazi …? Anna Kendrick learns more about the part for which she presented Christoph Waltz with the award for best supporting actor Photograph: Ian West/PA Photograph: Ian West/guardian.co.uk Some transatlantic action: Aaron Johnson gives it the full smoulder as he clutches Michael Giacchino, winner of the Bafta for best music for his soundtrack to Up Photograph: Ben Stanshall/AFP/Getty Images Photograph: Ben Stanshall/guardian.co.uk Up's Pete Docter makes like the cheeriest criminal in the lineup as he displays his award for best animated film Photograph: Ian West/PA Photograph: Ian West/guardian.co.uk Kristen Stewart, absolutely ecstatic to receive the Bafta rising star award Photograph: Toby Melville/Reuters Photograph: Toby Melville/guardian.co.uk Is that an Oscar in your pocket? Sheldon Turner with the best adapted screenplay award for Up in the Air Photograph: Ian West/PA Photograph: Ian West/guardian.co.uk A little film called Avatar picked up some awards, too: here's Joe Letteri, Stephen Rosenbaum, Richard Banehan and Andrew Jones with their best visual effects gongs Photograph: Dave Hogan/Getty Images Photograph: Dave Hogan/guardian.co.uk And here's Avatar's production design team: Rick Carter, Robert Stromberg and Kim Sinclair Photograph: Ian West/PA Photograph: Ian West/guardian.co.uk But that was their lot. Avatar, and all the rest of the hopefuls, were muscled out by the dominance of Kathryn Bigelow's The Hurt Locker. Here's Bigelow with her best director award. She keeps trim by fashioning any Minstrels she's offered into a frock Photograph: David Fisher/ Rex Features Photograph: guardian.co.uk The Hurt Locker picked up awards for best cinematography … here's Barry Ackroyd playing scissors, paper, stone with his Bafta Photograph: Dave Hogan/Getty Images Photograph: Dave Hogan/guardian.co.uk Best editing, courtesy of Bob Murawski and Chris Innis Photograph: Ian West/PA Photograph: Ian West/guardian.co.uk Best sound … here's Paul Ottosson and Ray Beckett Photograph: Ian West/PA Photograph: Ian West/guardian.co.uk For Mark Boal's original screenplay Photograph: Toby Melville/Reuters Photograph: Toby Melville/guardian.co.uk And, last one: best picture. Bigelow will doubtless keep this laughing face on all the way to the Oscars Photograph: Joel Ryan/AP Photograph: Joel Ryan/guardian.co.uk